I contain multitudes!

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I apply Process Philosophy to my life and it is allowing me to discover everything with new eyes. I am interconnected to everything.

Walt Whitman understood that we are in "Process" and he unfolded the discovery of self through poetry.
From Leaves of Grass:

1

O TAKE my hand, Walt Whitman!

Such gliding wonders! Such sights and sounds!

Such joined unended links, each hooked to the next!

Each answering all—each sharing the earth with all.
2

What widens within you, Walt Whitman?

What waves and soils exuding? What climes?

What persons and lands are here?

Who are the infants? Some playing, some slum-bering?

Who are the girls? Who are the married women? Who are the three old men going slowly with their arms about each others' necks?

What rivers are these? What forests and fruits are these?

What are the mountains called that rise so high in

the mists?

What myriads of dwellings are they, filled with dwellers?
3

Within me latitude widens, longitude lengthens, Asia, Africa, Europe, are to the east—America is provided for in the west
(Art from the original book by Margaret Cook)

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Walt Whitman’s Expanding Universe: A Process of Becoming
Walt Whitman invites us to hold his hand—not to lead us into a fixed world, but into a swirling, expansive dance of interconnected becoming. In his poetry, the boundaries between self and other dissolve. The earth itself is an extension of his body, the rivers his veins, the forests his breath, the people his kin. Whitman knew what Alfred North Whitehead would later articulate in his philosophy of process: we are not isolated beings navigating a static universe; we are events within events, threads woven into a fabric that is constantly being rewoven.

In Leaves of Grass, Whitman sings of “joined unended links, each hooked to the next!” Each moment is a nexus of relations, answering and sharing, each part of a living, breathing world. This is Whitehead’s interconnected web of “prehensions”—feelings, perceptions, and experiences that stretch backward into the past and forward into possibility. Nothing stands alone; everything answers to everything else. The poem does not describe a universe of objects but a cosmos of happenings, each experience interpenetrating and expanding into the next.

When Whitman asks, “What widens within you, Walt Whitman?” he is not just asking himself. He is asking us. He is asking the world. Latitude and longitude unfurl not just as coordinates but as metaphors for the vastness within us. In process terms, we are always expanding into new potentialities, stretching the limits of who we are. The continents within us—Asia, Africa, Europe, America—are not distant lands; they are experiences, memories, and perceptions that flow together, shaping our becoming. We carry these places within us, just as we carry each other.

Whitman’s vision echoes Whitehead’s call to see the world as a dynamic process of relationality. The “gliding wonders” of Whitman’s poetry are not static marvels to be observed; they are invitations to participate. The mountains, rivers, and forests are not outside of us—they are part of the matrix of our being. They are us. When we realize this, we can no longer think of ourselves as separate. We are threads in the tapestry, nodes in the nexus, moments in the flow.

Applying process philosophy to life is like seeing through Whitman’s eyes. It is realizing that every gesture, every breath, every thought ripples through the web of existence. We are always in conversation with the world around us. The rivers carve new channels within us, the forests whisper forgotten wisdom, the people we encounter become part of our story. In Whitman’s world, as in Whitehead’s, everything matters because everything is part of the process of becoming.

We are not fixed points on a map. We are expanding landscapes, unfurling into new territories of experience. Whitman understood that to live fully is to embrace the fluidity of existence—to let the world widen within us, to feel the latitude of possibility and the longitude of connection. We are the rivers, the forests, the people. We are the poets and the poems. We are the process, endlessly becoming.

So take Whitman’s hand. Take the world’s hand. Let it pull you into the dance of interconnection, the ever-unfolding process of life. There is no end, no fixed point—only the gliding wonder of what is and what can be.

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